Mission
Make great footage the default outcome. We remove friction—so your crew can point lenses at the story, not the problems.
Built for editors, loved by crews.
Framehaus Studios started as a list of production gripes: loud AC, messy distro, missing carts. We fixed the list. Today, our stages are quiet, power is labeled, and there is coffee that doesn’t taste like set coffee.
Philosophy
Editorial-first architecture: control the noise floor, the light, and the power. Everything else follows.
Promise
Clear pricing, honest availability, and humans on the other end of the line—every time.
Space specs in plain English
- Ceiling: 16–22 ft with safe access
- Power: up to 200A 3-phase, distro available
- Sound: floating floors, baffled HVAC
- Load-in: street & drive-in options
- Amenities: green room, HMU, wardrobe
- Support: on-site floor manager
Our team
Avery Cole — Head of Production
Former line producer turned stage whisperer. Knows where every outlet is—and why.
Jordan Reyes — Technical Director
Lighting, grip, power. If it hums or flickers, Jordan has an answer and a backup plan.
Samira Patel — Client Services
From pencils to call sheets—Samira makes bookings smooth and changes painless.
Theo Nguyen — Facilities
Keeps the stages spotless, the carts rolling, and the coffee genuinely good.
Timeline
2021 — We strip, insulate, and float our first stage floor. Silence becomes policy.
2023 — Daylight loft opens with full blackout tracks and ND netting.
2025 — Power upgrade to 200A 3-phase; pre-rig options expand across stages.